Blog Archive - December 2008

The archives of The Sun Will Rise, organized by month.

It's Christmas again...

It's Christmas time again, which means, at least for an IHOP guy like me, the onething conference is right around the corner, the prayer room slims down to the people who actually live in Kansas City (since many students and interns leave for the holidays), and many of the prayer room sets and songs are sung around passages relating to the birth of Christ.

I seriously wish we could take an entire month out of each year and corporately meditate on the incarnation. Of all of the things that we should center our lives around, few, if anything at all actually, should outweigh the nativity scene we view perhaps hundreds of times each December. For the eternal infinite God to fully become a finite human being is arguably the most shocking, the most outrageous, and the most scandalous thing that has happened in the history of the created order. Dana Candler in her book Entirety writes:

Jesus, the Living Word, was God from eternity, begotten before time, dwelling in the unapproachable light with the Father, inhabiting the everlasting ages before the world was made in all glory and majesty (John 1:1-2). Perpetually worshipped by angels, He possessed all things from all eternity, and to any onlooker of the adoring heavenly hosts, there was no apparent reason for this to change.

Yet in the heart of God, from this love of the Holy Three, there was a plan of scandalous proportions rooted in outrageous love, and the crux of that plan involved the unthinkable departing of the Begotten Son from the shrouds of unapproachable light and the unimaginable emptying of Himself in the assumption of a human frame. It meant the unthinkable mystery that God the Creator would enter the world through the womb of a young maiden whom He Himself created, and ultimately, the shocking culmination of God hanging on a cross—the eternal statement of His endless hatred of sin and everlasting love of mankind.

The Baby that we find in the manger was the same One who was eternally the Possessor of All, the Author of Life, the uncreated One who was with God from everlasting (Micah 5:2). He did not consider His eternal exaltation as something to be grasped and used for His own gain, but rather He chose in transcendent love to empty Himself of so great an exaltation, making Himself of no reputation and taking on the form of a bondservant (Philippians 2:6-7).

Out of the erupting love and desire of the Godhead, the Son left the covering of unapproachable light and the vastness of His heavenly riches, wrapping Himself in the profound obscurity of poor humanity and becoming to the natural eye nothing more than a newborn Jewish boy, and later a typical young man, son of a carpenter, from Nazareth. In these obscure, ordinary beginnings, the extraordinary occurred: God took on the plight of humanity, the weakness and frailty of our dilemma and forever assumed His identity as our Brother, making us bone of His bone and flesh of His flesh forever.

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Rock, pop, or jazz?

Without question, the influence of secular music on musicians that profess the name of Jesus is strong. Church musicians and Christian artists will name many secular bands as their main musical influences. Before you think I am about to give the blanket statement that is heard so often - “secular music is bad” - I’ll say that various musical genres in and of themselves are not “bad”, and by no means am I advocating that all modern worship songs should be in a specific, common “style”. Taking such a stand is to, I believe, remove the multi-faceted nature of music as it expresses God’s heart and personality. But the issue I do want to speak into though is the influence of musicians that confess Jesus looking to secular music for that “new edge” on their worship music. I don’t want to point fingers or accuse in any way – I want to call us as musicians and songwriters to a higher standard as we write, play, and sing today at the end of the age.

As I’ve outlined in many previous posts on my blog in my prophetic music category, there are two worship movements being raised up today. Both will use music in a massive way to influence men’s decisions and attitudes. Both will gather multitudes in stadiums. Both will even have signs, wonders, and power connected to them. But one will lead many into giving themselves to Jesus in meekness and humility, bringing them to eternal life and peace - and the other will deceive many into worshipping Satan and his demonic cohorts, sending them to the lake of fire forever.

The last thing we want to do as musicians writing, playing, and leading for the true movement is to give ourselves, even in little ways, to the entanglements and snares of the false movement.

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The Seven Churches: Jesus' Motivation

In continuing my series on the seven churches of Revelation, I want to spend this post examining a bit of the motivation of Jesus. What was in His heart in actually giving these messages to the churches? As I said in my first post, each letter was carefully thought out and crafted by the Son of God Himself, and then given to both a literal church alive during the first century as well as to anyone in any age reading the text who would have an ear to what the Spirit is saying, with a particular focus on the generation that would see the book of Revelation unfold in their lifetime. So while I will come from the angle of examining the letters to these seven real churches, in subsequent posts I will focus more on the application of each letter to the saints alive today as those who I believe may very well see the Lord’s return in the span of their lifetime.

The seven letters were much more than just “quick little post-it notes” given to the churches. Through them, Jesus was looking to stir each church (and ultimately, us) to a greater place of abandonment, obedience, and heart-level agreement with who He is. He stirs the churches through several unique strategies:

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